Hello PL’s
Would you believe I took on a Villanelle this week.
Something that’s always looked so extraordinarily complex and I actually conquered it – sort of! I mean Sestina’s – forget them! They’re the devil! So so hard, but a villanelle is kind of a softer cousin. The one that you could get away with things, and beat at football – that sort of thing.
Worringly, I’ve written it about Plastic Paul and the Dollshouse. My favourite subject. Rejected by Mrs Slagg, I’m afraid. No toffs allowed in her establishment, and all that.
Anyway, read on……
Dolls House Memories
You sat there in your plastic chair

your manufactured eyes stared stonily ahead
And you didn’t see me at all

I gave you the world, dining sets and
tiny hard food you wouldn’t taste – and a toilet
with a sink that never got wet

Your wife figure sat lifelessly next to you
I coveted her yellow hair, and tiny hands but,
like her husband, she didn’t see me at all.

When I put you side by side on the pricey
brass bed where sleep never came,
I used to wish I could lie there with you.

Abandoning you when it was time for tea,
bringing joy while knowing none yourself,
you didn’t see me at all




Now, from the loft, your red hair peeling away,
eyes barely present, you’re still fresh from the toy shop.
I wish you could see me the same way
But you don’t see me at all. 
Heather Moulson 2021
Errie perhaps, or just pathetic? I’m always hoping those dolls house members will see me one day.




Anyway, I hope you can see me – sort of. Thanks for tuning in, Poetry Lovers. Any villanelle’s welcome. Just don’t count on Mrs Slagg’s support.
Be back with more poetry antics soon…….. 







It all got a bit out of hand and the Police were called…. in fact, after giving a caution, they stayed and enjoyed the party and ate the remaining cake. That was quite a brave move to be honest…. 









































I’d better go before she pinches one of my cardigans – again!






Mainly she likes brutal poems, but she has time for the occasional piece about nature and the elements too. Especially if they’re in an acrostic and nonet form like the one clever poet Sharron Green has written. 








































She had, however, drained me of any thought of being a poet or studying English, however much I loved A Tale of Two Cities and Twelfth Night.






Throatbone was born from me wanting to explore my ancestral home and develop my interest in eco-poetry and skills in poetry without me as the central subject. But of course, as Wayne Holloway-Smith says, “if you lean into a poem enough you will leak out” and the queer leaks out from behind the clouds, and in drizzle and rain. It also rages in the Manx Pride trilogy, a social commentary on the island’s queer history. 






















